{"id":485,"date":"2022-06-29T20:17:28","date_gmt":"2022-06-29T18:17:28","guid":{"rendered":"https:\/\/www.teoriamusical.es\/blog\/?p=485"},"modified":"2022-06-29T20:17:30","modified_gmt":"2022-06-29T18:17:30","slug":"dominantes-secundarios-como-usar-notas-cromaticas","status":"publish","type":"post","link":"https:\/\/www.teoriamusical.es\/blog\/dominantes-secundarios-como-usar-notas-cromaticas\/","title":{"rendered":"Dominantes Secundarios: C\u00f3mo Usar Notas Crom\u00e1ticas"},"content":{"rendered":"\n<p>\u00bfC\u00f3mo usar notas crom\u00e1ticas con sentido cuando estamos en una canci\u00f3n tonal?<\/p>\n\n\n\n<p>Tanto los dominantes secundarios, los dominantes sustitutos, los ii relativos, el intercambio modal y todos nuestros recursos arm\u00f3nicos nos permiten, entre muchas cosas, tener a nuestra disposici\u00f3n las doce notas perfectamente contextualizadas dentro de un marco de referencia tonal.<\/p>\n\n\n\n<p>Muchas veces utilizamos las notas crom\u00e1ticas como notas de paso, desaprovechando todo su potencial para integrarlas en nuestro discurso mel\u00f3dico.<\/p>\n\n\n\n<p>En este video veremos c\u00f3mo utilizar los dominantes secundarios y los dominantes sustitutos para construir un contexto en el que las notas crom\u00e1ticas est\u00e9n disponibles para nosotros y que podamos usarlas en nuestras composiciones sin que suenen como algo extra\u00f1o.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Dominantes Secundarios: C\u00f3mo Usar Notas Crom\u00e1ticas.\" width=\"584\" height=\"329\" src=\"https:\/\/www.youtube.com\/embed\/nXlYZyutOrM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\u00bfC\u00f3mo usar notas crom\u00e1ticas con sentido cuando estamos en una canci\u00f3n tonal? Tanto los dominantes secundarios, los dominantes sustitutos, los ii relativos, el intercambio modal y todos nuestros recursos arm\u00f3nicos nos permiten, entre muchas cosas, tener a nuestra disposici\u00f3n las &hellip; <a href=\"https:\/\/www.teoriamusical.es\/blog\/dominantes-secundarios-como-usar-notas-cromaticas\/\">Sigue leyendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-485","post","type-post","status-publish","format-standard","hentry","category-cursos_de_musica"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Dominantes Secundarios: C\u00f3mo Usar Notas Crom\u00e1ticas - Teor\u00eda Musical<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.teoriamusical.es\/blog\/dominantes-secundarios-como-usar-notas-cromaticas\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dominantes Secundarios: C\u00f3mo Usar Notas Crom\u00e1ticas - Teor\u00eda Musical\" \/>\n<meta property=\"og:description\" content=\"\u00bfC\u00f3mo usar notas crom\u00e1ticas con sentido cuando estamos en una canci\u00f3n tonal? 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Sin embargo, al margen de todas las sustituciones y elecciones de modo que tenemos a nuestra disposici\u00f3n, tambi\u00e9n los clasificamos seg\u00fan lo que\u2026","rel":"","context":"En \u00abAcordes\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/lGoU8p7_gjw\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":166,"url":"https:\/\/www.teoriamusical.es\/blog\/la-escala-cromatica\/","url_meta":{"origin":485,"position":1},"title":"La Escala Crom\u00e1tica como Mapa de Acordes.","date":"febrero 28, 2020","format":false,"excerpt":"La escala crom\u00e1tica, adem\u00e1s de ser importante en el jazz y en las m\u00fasicas urbanas, es una gu\u00eda \u00fatil para localizar varios tipos de acorde con un s\u00f3lo golpe de vista: Acordes Disminuidos como acordes de paso, dominantes secundarios y acordes sustitutos o SubV7. En este video echamos un vistazo\u2026","rel":"","context":"En \u00abArmon\u00eda Moderna\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/avGFI6gZbb0\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":282,"url":"https:\/\/www.teoriamusical.es\/blog\/dominantes-extendidos\/","url_meta":{"origin":485,"position":2},"title":"Dominantes Extendidos","date":"julio 16, 2021","format":false,"excerpt":"Los dominantes extendidos suelen crear confusi\u00f3n; alguna gente los confunde con dominantes secundarios y, en menor medida, con dominantes sustitutos. Todos estos acordes de dominante y sus correctas relaciones escala\/acorde est\u00e1n cubiertas en mi masterclass de armon\u00eda moderna, pero para los suscriptores del canal que no est\u00e1n en mis cursos,\u2026","rel":"","context":"En \u00abAcordes\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/mD2nn_wVJqY\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":252,"url":"https:\/\/www.teoriamusical.es\/blog\/progresiones-de-acordes-sin-usar-dominantes\/","url_meta":{"origin":485,"position":3},"title":"\u00bfProgresiones de acordes sin usar dominantes?","date":"julio 16, 2021","format":false,"excerpt":"Creamos y usamos progresiones de acordes continuamente. Tenemos acordes de reposo, o acordes de t\u00f3nica, tenemos acordes que se mueven hacia alguna parte, o acordes subdominantes, y tenemos acordes dominantes, que tienen una imperiosa necesidad de resolver. La m\u00fasica occidental se construye sobre esta relaci\u00f3n t\u00f3nica, subdominante, dominante pero... \u00bfqu\u00e9\u2026","rel":"","context":"En \u00abAcordes\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/-j-CsM27WQQ\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":101,"url":"https:\/\/www.teoriamusical.es\/blog\/dominantes-sustitutos\/","url_meta":{"origin":485,"position":4},"title":"Dominantes Sustitutos; Qu\u00e9 Son y C\u00f3mo Funcionan.","date":"diciembre 8, 2019","format":false,"excerpt":"Los dominantes sustitutos son un recurso habitual en jazz, en pop y en pr\u00e1cticamente cualquier estilo de m\u00fasica. Sin embargo, muchas veces nos limitamos a la forma, el voicing concreto arpegiado, sin tener demasiado claro qu\u00e9 modo tenemos debajo y qu\u00e9 sustituciones permite. Tras muchos a\u00f1os como educador musical, he\u2026","rel":"","context":"En \u00abAcordes\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/WA6XbEzJb3Q\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":147,"url":"https:\/\/www.teoriamusical.es\/blog\/dominantes-sustitutos-2\/","url_meta":{"origin":485,"position":5},"title":"Dominantes Sustitutos y Dominantes Alterados; \u00bfQu\u00e9 Relaci\u00f3n Tienen?","date":"febrero 28, 2020","format":false,"excerpt":"Hoy vamos a hablar de la relaci\u00f3n entre los dominantes sustitutos y los dominantes alterados porque en el video de ayer os habl\u00e9 de la escala alterada y el dominante alterado que la usa, uno de mis tipos de acorde dominante preferido y, sin duda, una de los modos del\u2026","rel":"","context":"En \u00abCursos de M\u00fasica\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/pWCT20HEWy4\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/posts\/485","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/comments?post=485"}],"version-history":[{"count":1,"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/posts\/485\/revisions"}],"predecessor-version":[{"id":486,"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/posts\/485\/revisions\/486"}],"wp:attachment":[{"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/media?parent=485"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/categories?post=485"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/tags?post=485"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}