{"id":474,"date":"2022-06-29T20:04:53","date_gmt":"2022-06-29T18:04:53","guid":{"rendered":"https:\/\/www.teoriamusical.es\/blog\/?p=474"},"modified":"2022-06-29T20:04:55","modified_gmt":"2022-06-29T18:04:55","slug":"pedro-bellora-y-countblissett-acordes-en-guitarra-y-piano","status":"publish","type":"post","link":"https:\/\/www.teoriamusical.es\/blog\/pedro-bellora-y-countblissett-acordes-en-guitarra-y-piano\/","title":{"rendered":"Pedro Bellora y Countblissett: Acordes en Guitarra y Piano"},"content":{"rendered":"\n<p>Pedro Bellora y Countblissett: Acordes en guitarra y piano es el tutorial fruto de la charla entre dos m\u00fasicos comprometidos con la ense\u00f1anza musical dentro y fuera de Youtube.<\/p>\n\n\n\n<p>Cada instrumento tiene su propio lenguaje idiom\u00e1tico y sus propias t\u00e9cnicas musicales. En este video exploramos el lenguaje de la guitarra con Pedro Bellora y vemos c\u00f3mo se traduce al lenguaje del piano con Countblissett.<\/p>\n\n\n\n<p>Durante una hora Pedro Bellora y Countblissett hablan sobre c\u00f3mo los diferentes tipos de acordes, muchos de origen jazzistico pero aplicables en otros contextos, se tocan en los dos instrumentos.<\/p>\n\n\n\n<p>Una charla llena de referencias al com\u00fan demominador de estos dos educadores m\u00fasicales; el jazz.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Pedro Bellora y Countblissett: Acordes en Guitarra y Piano\" width=\"584\" height=\"329\" src=\"https:\/\/www.youtube.com\/embed\/ACps4CRh4OE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=ACps4CRh4OE&amp;t=0s\">00:00<\/a> Inicio <\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=ACps4CRh4OE&amp;t=216s\">03:36<\/a> Lenguaje Musical del Instrumento <\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=ACps4CRh4OE&amp;t=298s\">04:58<\/a> Escritura Idiom\u00e1tica <\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=ACps4CRh4OE&amp;t=390s\">06:30<\/a> Top Note Voicings <\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=ACps4CRh4OE&amp;t=450s\">07:30<\/a> Acordes para guitarra y piano <\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=ACps4CRh4OE&amp;t=502s\">08:22<\/a> Acordes mayores en guitarra y piano <\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=ACps4CRh4OE&amp;t=870s\">14:30<\/a> Acordes menores en guitarra y piano <\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=ACps4CRh4OE&amp;t=992s\">16:32<\/a> Escribir para el m\u00fasico vs escribir para el instrumento <\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=ACps4CRh4OE&amp;t=1049s\">17:29<\/a> La estrategia de la pizza <\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=ACps4CRh4OE&amp;t=1144s\">19:04<\/a> Aprender las dificultades del instrumento <\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=ACps4CRh4OE&amp;t=1256s\">20:56<\/a> Acordes dominantes en guitarra y piano <\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=ACps4CRh4OE&amp;t=1385s\">23:05<\/a> Juegos con la mano <\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=ACps4CRh4OE&amp;t=1469s\">24:29<\/a> Jim Hall y la guitarra jazz <\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=ACps4CRh4OE&amp;t=1763s\">29:23<\/a> Acordes aumentados para guitarra y piano <\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=ACps4CRh4OE&amp;t=2017s\">33:37<\/a> Kurt Rosenwinkel <\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=ACps4CRh4OE&amp;t=2265s\">37:45<\/a> Acordes semidisminuidos en guitarra y piano <\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=ACps4CRh4OE&amp;t=2435s\">40:35<\/a> Diferencias entre semidisminuidos y disminuidos <\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=ACps4CRh4OE&amp;t=2535s\">42:15<\/a> Acordes disminuidos en guitarra y piano <\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=ACps4CRh4OE&amp;t=2669s\">44:29<\/a> Acordes disminuidos de bebop <\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=ACps4CRh4OE&amp;t=2789s\">46:29<\/a> Lenguaje Octat\u00f3nico <\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=ACps4CRh4OE&amp;t=3007s\">50:07<\/a> Miles Davis <\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=ACps4CRh4OE&amp;t=3146s\">52:26<\/a> Barry Harris <\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=ACps4CRh4OE&amp;t=3184s\">53:04<\/a> Acordes menores con s\u00e9ptima mayor en guitarra y piano <\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=ACps4CRh4OE&amp;t=3300s\">55:00<\/a> Actividad Musical de la semana en el canal<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pedro Bellora y Countblissett: Acordes en guitarra y piano es el tutorial fruto de la charla entre dos m\u00fasicos comprometidos con la ense\u00f1anza musical dentro y fuera de Youtube. Cada instrumento tiene su propio lenguaje idiom\u00e1tico y sus propias t\u00e9cnicas &hellip; <a href=\"https:\/\/www.teoriamusical.es\/blog\/pedro-bellora-y-countblissett-acordes-en-guitarra-y-piano\/\">Sigue leyendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-474","post","type-post","status-publish","format-standard","hentry","category-cursos_de_musica"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Pedro Bellora y Countblissett: Acordes en Guitarra y Piano - Teor\u00eda Musical<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.teoriamusical.es\/blog\/pedro-bellora-y-countblissett-acordes-en-guitarra-y-piano\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pedro Bellora y Countblissett: Acordes en Guitarra y Piano - Teor\u00eda Musical\" \/>\n<meta property=\"og:description\" content=\"Pedro Bellora y Countblissett: Acordes en guitarra y piano es el tutorial fruto de la charla entre dos m\u00fasicos comprometidos con la ense\u00f1anza musical dentro y fuera de Youtube. 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Por eso, siempre que puedo, toco instrumentos que no sean el piano, que es mi instrumento habitual.\u2026","rel":"","context":"En \u00abAn\u00e1lisis Musical\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/xgjK4SsU_n8\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1,"url":"https:\/\/www.teoriamusical.es\/blog\/teoria-musical-presentacion\/","url_meta":{"origin":474,"position":1},"title":"Countblissett Teor\u00eda Musical","date":"diciembre 3, 2019","format":false,"excerpt":"\u00bfTeor\u00eda Musical? \u00bfArmon\u00eda Moderna? Te cuento qui\u00e9n soy: Soy Tony Domenech, profesor de m\u00fasica moderna. Trabaj\u00e9 m\u00e1s de 12 a\u00f1os como educador musical en una escuela privada de M\u00fasica Moderna. Ahora estoy en Youtube y hablo de teor\u00eda musical con todo lo que eso implica: Armon\u00eda moderna, an\u00e1lisis musical, acordes,\u2026","rel":"","context":"En \u00abAn\u00e1lisis Musical\u00bb","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":172,"url":"https:\/\/www.teoriamusical.es\/blog\/improvisacion\/","url_meta":{"origin":474,"position":2},"title":"IMPROVISACI\u00d3N: MAPEO ARM\u00d3NICO","date":"febrero 28, 2020","format":false,"excerpt":"Una de las claves de la improvisaci\u00f3n es conocer perfectamente el modo que pertenece a cada uno de los acordeds en los que estamos movi\u00e9ndonos. Para ello, mapear los chord tones y tensiones del acorde, es un recurso muy \u00fatil. Dentro de la teor\u00eda musical, en el campo de an\u00e1lisis\u2026","rel":"","context":"En \u00abArmon\u00eda Moderna\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/7Oj4wuhzgTs\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":137,"url":"https:\/\/www.teoriamusical.es\/blog\/elton-john-acordes\/","url_meta":{"origin":474,"position":3},"title":"Elton John: Lenguaje Arm\u00f3nico","date":"enero 1, 2020","format":false,"excerpt":"Elton John, pese a empezar su carrera en los 70, tiene un fort\u00edsimo sonido ochentero en lo que se refiere a recursos arm\u00f3nicos. Muchas veces asociamos el \"Sonido de los 80\" a eso; al sonido, a esas baterias de caja con reverb, a esos sintes y textura sonora y, no\u2026","rel":"","context":"En \u00abAcordes\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/WfG6Z-Px3-I\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":70,"url":"https:\/\/www.teoriamusical.es\/blog\/los-acordes-de-john-williams\/","url_meta":{"origin":474,"position":4},"title":"Los Acordes de John Williams","date":"diciembre 5, 2019","format":false,"excerpt":"Los acordes de john Williams, y la armon\u00eda que implican, son, junto con su dominio de la orquestaci\u00f3n y el desarrollo mel\u00f3dico, una de las claves de su calidad musical. Hasta que no transcribes alg\u00fan tema suyo al piano no te das cuenta de que muchos de los acordes de\u2026","rel":"","context":"En \u00abAcordes\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/2aneqBJyOHo\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":401,"url":"https:\/\/www.teoriamusical.es\/blog\/escalas-pentatonicas\/","url_meta":{"origin":474,"position":5},"title":"Escalas Pentat\u00f3nicas","date":"octubre 9, 2021","format":false,"excerpt":"Dentro de la armon\u00eda moderna la armon\u00eda modal tiene un papel importante, ya que los modos que utilizamos en nuestra m\u00fasica se amplian mucho, por lo que dominar las nuevas escalas y sus modos es importante para desarrollar nuestro lenguaje musical. Sin embargo unas escalas que solemos pasar por alto,\u2026","rel":"","context":"En \u00abarmon\u00eda modal\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/6S8LywEuK58\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/posts\/474","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/comments?post=474"}],"version-history":[{"count":1,"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/posts\/474\/revisions"}],"predecessor-version":[{"id":475,"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/posts\/474\/revisions\/475"}],"wp:attachment":[{"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/media?parent=474"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/categories?post=474"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/tags?post=474"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}