{"id":459,"date":"2022-06-29T19:50:25","date_gmt":"2022-06-29T17:50:25","guid":{"rendered":"https:\/\/www.teoriamusical.es\/blog\/?p=459"},"modified":"2022-06-29T19:50:26","modified_gmt":"2022-06-29T17:50:26","slug":"rearmonizar-utilizando-bitonalidad","status":"publish","type":"post","link":"https:\/\/www.teoriamusical.es\/blog\/rearmonizar-utilizando-bitonalidad\/","title":{"rendered":"\u00bfRearmonizar Utilizando Bitonalidad?"},"content":{"rendered":"\n<p>La rearmonizaci\u00f3n nos brinda muchos recursos arm\u00f3nicos y uno de ellos es el efecto de la bitonalidad aparente. La idea detr\u00e1s de esta t\u00e9cnica musical es rica pero puede simplificarse como una especie de acordes h\u00edbridos planteados al rev\u00e9s. El ciclo que quintas es tremendamente \u00fatil para visualizar lo que hacemos con esta t\u00e9cnica, ya que, por decirlo de alguna forma, nuestra mano derecha del piano est\u00e1 en una tonalidad y nuestra mano izquierda est\u00e1 en otra. Ubicar estas tonalidades en el ciclo de quintas es \u00fatil en esta forma concreta de rearmonizaci\u00f3n.La sonoridad es parecida a los acordes h\u00edbridos pero el planteamiento, como vemos en el video, es distinto.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"\u00bfRearmonizar Utilizando Bitonalidad?\" width=\"584\" height=\"329\" src=\"https:\/\/www.youtube.com\/embed\/_in_BcNonPg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>La rearmonizaci\u00f3n nos brinda muchos recursos arm\u00f3nicos y uno de ellos es el efecto de la bitonalidad aparente. La idea detr\u00e1s de esta t\u00e9cnica musical es rica pero puede simplificarse como una especie de acordes h\u00edbridos planteados al rev\u00e9s. El &hellip; <a href=\"https:\/\/www.teoriamusical.es\/blog\/rearmonizar-utilizando-bitonalidad\/\">Sigue leyendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-459","post","type-post","status-publish","format-standard","hentry","category-cursos_de_musica"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u00bfRearmonizar Utilizando Bitonalidad? - Teor\u00eda Musical<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.teoriamusical.es\/blog\/rearmonizar-utilizando-bitonalidad\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00bfRearmonizar Utilizando Bitonalidad? - Teor\u00eda Musical\" \/>\n<meta property=\"og:description\" content=\"La rearmonizaci\u00f3n nos brinda muchos recursos arm\u00f3nicos y uno de ellos es el efecto de la bitonalidad aparente. 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C\u00f3mo construir acordes h\u00edbridos y saber d\u00f3nde aplicarlos es una habilidad que nos interesa tener como compositores. La sonoridad h\u00edbrida nos permite aportar una nueva perspectiva a nuestras progresiones arm\u00f3nicas y modifica la morfolog\u00eda del\u2026","rel":"","context":"En \u00abCursos de M\u00fasica\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/c6GxQRkJ5OU\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":112,"url":"https:\/\/www.teoriamusical.es\/blog\/ciclo-de-quintas\/","url_meta":{"origin":459,"position":1},"title":"El Ciclo de Quintas y El Ciclo de Cuartas","date":"diciembre 8, 2019","format":false,"excerpt":"El ciclo de quintas es una de las primeras cosas que aprendemos porque tiene m\u00faltiples usos. Nos ayuda a ver el orden en el que van apareciendo los sostenidos, cuando nos movemos hacia atr\u00e1s, los bemoles. Tambi\u00e9n nos sirve para ubicar el dominante de un tono, su menor relativo y\u2026","rel":"","context":"En \u00abArmon\u00eda Moderna\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/lls1-_M6gO8\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":239,"url":"https:\/\/www.teoriamusical.es\/blog\/rearmonizacion-con-acordes-hibridos\/","url_meta":{"origin":459,"position":2},"title":"Rearmonizaci\u00f3n con Acordes H\u00edbridos","date":"julio 16, 2021","format":false,"excerpt":"Una t\u00e9cnica de rearmonizaci\u00f3n efectiva y m\u00e1s sencilla de lo que parece es la rearmonizaci\u00f3n con acordes h\u00edbridos. Los acordes h\u00edbridos son acordes sin relaci\u00f3n aparente con la nota del bajo. 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Siempre explico, en mis cursos online, en mis clases particulares y en mis videos de Youtube, que debemos saber 3 cosas sobre un acorde; su forma (voicing), el modo que tiene debajo y su escala fuente. Esa escala fuente est\u00e1 en\u2026","rel":"","context":"En \u00abAcordes\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/5f6fnYnNXes\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":261,"url":"https:\/\/www.teoriamusical.es\/blog\/acordes-neo-soul\/","url_meta":{"origin":459,"position":5},"title":"Acordes Neo Soul","date":"julio 16, 2021","format":false,"excerpt":"Los acordes neo soul forman parte del lenguaje de la armon\u00eda moderna y son el resultado l\u00f3gico de una gran herencia que bebe del jazz, el blues, el gospel, el soul, el hip hop y otras m\u00fasicas de raiz afroamericana. 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