{"id":396,"date":"2021-09-21T20:18:11","date_gmt":"2021-09-21T18:18:11","guid":{"rendered":"https:\/\/www.teoriamusical.es\/blog\/?p=396"},"modified":"2021-09-21T20:19:17","modified_gmt":"2021-09-21T18:19:17","slug":"componer-con-modulaciones-plagales","status":"publish","type":"post","link":"https:\/\/www.teoriamusical.es\/blog\/componer-con-modulaciones-plagales\/","title":{"rendered":"Componer con Modulaciones Plagales"},"content":{"rendered":"\n<p>La modulaci\u00f3n es un recurso arm\u00f3nico que nos ayuda a dar inter\u00e9s a nuestras composiciones. La semana pasada constru\u00edmos una melod\u00eda que atravesaba las doce tonalidades utilizando una progresi\u00f3n de acordes que se basaba en la modulaci\u00f3n constante.<\/p>\n\n\n\n<p>En el video de esta semana vamos a insistir en la idea de construir una melod\u00eda que vaya modulando por las doce tonalidades pero nos vamos a mover de forma distinta, ya que en lugar de utilizar resoluciones de dominante a t\u00f3nica vamos a utilizar resoluciones de subdominante a t\u00f3nica, es decir, vamos a componer con modulaciones plagales.<\/p>\n\n\n\n<p>Adem\u00e1s vamos a utilizar un recurso muy habitual en la m\u00fasica de cine que es lo que algunos te\u00f3ricos llaman harmonic overkill.<\/p>\n\n\n\n<p>Tambi\u00e9n vamos a aprender a utilizar el registro como herramienta compositiva y a crear periodos para nuestro fraseo mel\u00f3dico en contextos donde la progresi\u00f3n es continua, como en este caso donde estamos en medio de una modulaci\u00f3n constante.<\/p>\n\n\n\n<p>Como en todos los videos, se propone un ejercicio para que lo puedas realizar en casa y que lo escuchemos en directo el s\u00e1bado que viene. Si ves este video m\u00e1s tarde no podremos corregir tu trabajo en directo pero a\u00fan as\u00ed puedes hacerlo para asegurarte de que est\u00e1s convirtiendo en pr\u00e1ctica musical la teor\u00eda musical que aqu\u00ed se explica.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Componer con Modulaciones Plagales\" width=\"584\" height=\"329\" src=\"https:\/\/www.youtube.com\/embed\/T35TjEu-Egc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>\u00bfTe Interesa la armon\u00eda moderna, los voicings y el desarrollo mel\u00f3dico? Echa un vistazo a mis <a href=\"https:\/\/www.teoriamusical.es\/blog\/cursos-de-musica\/\">cursos de m\u00fasica online<\/a> y al contenido gratuito en mi <a href=\"http:\/\/www.youtube.com\/countblissett\">canal de Youtube<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La modulaci\u00f3n es un recurso arm\u00f3nico que nos ayuda a dar inter\u00e9s a nuestras composiciones. La semana pasada constru\u00edmos una melod\u00eda que atravesaba las doce tonalidades utilizando una progresi\u00f3n de acordes que se basaba en la modulaci\u00f3n constante. En el &hellip; <a href=\"https:\/\/www.teoriamusical.es\/blog\/componer-con-modulaciones-plagales\/\">Sigue leyendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[37,15,16,77],"tags":[],"class_list":["post-396","post","type-post","status-publish","format-standard","hentry","category-acordes","category-armonia-moderna","category-lenguaje-armonico","category-teoria-musical"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Componer con Modulaciones Plagales - Teor\u00eda Musical<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.teoriamusical.es\/blog\/componer-con-modulaciones-plagales\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Componer con Modulaciones Plagales - Teor\u00eda Musical\" \/>\n<meta property=\"og:description\" content=\"La modulaci\u00f3n es un recurso arm\u00f3nico que nos ayuda a dar inter\u00e9s a nuestras composiciones. 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Posee una sonoridad con mucho inter\u00e9s, acordes aumentados, disminuidos, etc, pero nosotros vamos a centrarnos en el desarrollo mel\u00f3dico, es decir, vamos a utilizar la\u2026","rel":"","context":"En \u00abAn\u00e1lisis Musical\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/zIpylteQ5p0\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":197,"url":"https:\/\/www.teoriamusical.es\/blog\/armonizar-lineas-descendentes\/","url_meta":{"origin":396,"position":2},"title":"Armonizar L\u00edneas Descendentes","date":"julio 7, 2021","format":false,"excerpt":"Los Arreglos musicales son parte esencial del resultado final, as\u00ed como la armonizaci\u00f3n y rearmonizaci\u00f3n. Durante varias semanas he estado explicando distintas t\u00e9cnicas musicales; enriquecimiento de acordes, sin\u00f3nimos arm\u00f3nicos, block voicings, voicings abiertos, melod\u00edas armonizadas utilizando cuatriadas, etc. La semana pasada os di una estructura para que usarais en vuestro\u2026","rel":"","context":"En \u00abArmon\u00eda Moderna\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/pAXNI_VkloY\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":476,"url":"https:\/\/www.teoriamusical.es\/blog\/funciones-melodicas\/","url_meta":{"origin":396,"position":3},"title":"Funciones mel\u00f3dicas","date":"junio 29, 2022","format":false,"excerpt":"Las funciones mel\u00f3dicas son clave para componer m\u00fasica y sacar partido del contexto arm\u00f3nico de nuestras composiciones. Sin embargo, no es algo a lo que se preste demasiada atenci\u00f3n, pese al enorme potencial creativo que el uso de funciones mel\u00f3dicas tiene cuando se aplican de forma efectiva. En este video\u2026","rel":"","context":"En \u00abCursos de M\u00fasica\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/qeaFCoznBac\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":399,"url":"https:\/\/www.teoriamusical.es\/blog\/componer-con-clusters-arreglos-musicales\/","url_meta":{"origin":396,"position":4},"title":"Componer con Clusters &#8211; Arreglos Musicales","date":"septiembre 29, 2021","format":false,"excerpt":"Componer con clusters o incorporarlos en nuestros arreglos musicales, sea en la orquestaci\u00f3n de un conjunto sinf\u00f3nico al completo o en ensembles m\u00e1s peque\u00f1os, es un recurso sin duda interesante para nuestros arreglos musicales, aunque presenta ciertas dificultades. Los clusters son disposiciones de los acordes compuestos exclusivamente de segundas mayores,\u2026","rel":"","context":"En \u00abAcordes\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/Xg16hXS6zfE\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":487,"url":"https:\/\/www.teoriamusical.es\/blog\/acordes-sencillos-para-armonias-complejas\/","url_meta":{"origin":396,"position":5},"title":"Acordes Sencillos para Armon\u00edas Complejas","date":"junio 29, 2022","format":false,"excerpt":"\u00bfC\u00f3mo utilizar armon\u00edas complejas si tu vocabulario arm\u00f3nico s\u00f3lo posee acordes sencillos? En este video veremos c\u00f3mo la teor\u00eda musical nos ayuda a manejar armon\u00edas complejas con acordes triada b\u00e1sicos. 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