{"id":396,"date":"2021-09-21T20:18:11","date_gmt":"2021-09-21T18:18:11","guid":{"rendered":"https:\/\/www.teoriamusical.es\/blog\/?p=396"},"modified":"2021-09-21T20:19:17","modified_gmt":"2021-09-21T18:19:17","slug":"componer-con-modulaciones-plagales","status":"publish","type":"post","link":"https:\/\/www.teoriamusical.es\/blog\/componer-con-modulaciones-plagales\/","title":{"rendered":"Componer con Modulaciones Plagales"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">La modulaci\u00f3n es un recurso arm\u00f3nico que nos ayuda a dar inter\u00e9s a nuestras composiciones. La semana pasada constru\u00edmos una melod\u00eda que atravesaba las doce tonalidades utilizando una progresi\u00f3n de acordes que se basaba en la modulaci\u00f3n constante.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En el video de esta semana vamos a insistir en la idea de construir una melod\u00eda que vaya modulando por las doce tonalidades pero nos vamos a mover de forma distinta, ya que en lugar de utilizar resoluciones de dominante a t\u00f3nica vamos a utilizar resoluciones de subdominante a t\u00f3nica, es decir, vamos a componer con modulaciones plagales.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Adem\u00e1s vamos a utilizar un recurso muy habitual en la m\u00fasica de cine que es lo que algunos te\u00f3ricos llaman harmonic overkill.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tambi\u00e9n vamos a aprender a utilizar el registro como herramienta compositiva y a crear periodos para nuestro fraseo mel\u00f3dico en contextos donde la progresi\u00f3n es continua, como en este caso donde estamos en medio de una modulaci\u00f3n constante.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Como en todos los videos, se propone un ejercicio para que lo puedas realizar en casa y que lo escuchemos en directo el s\u00e1bado que viene. Si ves este video m\u00e1s tarde no podremos corregir tu trabajo en directo pero a\u00fan as\u00ed puedes hacerlo para asegurarte de que est\u00e1s convirtiendo en pr\u00e1ctica musical la teor\u00eda musical que aqu\u00ed se explica.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Componer con Modulaciones Plagales\" width=\"584\" height=\"329\" src=\"https:\/\/www.youtube.com\/embed\/T35TjEu-Egc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u00bfTe Interesa la armon\u00eda moderna, los voicings y el desarrollo mel\u00f3dico? Echa un vistazo a mis <a href=\"https:\/\/www.teoriamusical.es\/blog\/cursos-de-musica\/\">cursos de m\u00fasica online<\/a> y al contenido gratuito en mi <a href=\"http:\/\/www.youtube.com\/countblissett\">canal de Youtube<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La modulaci\u00f3n es un recurso arm\u00f3nico que nos ayuda a dar inter\u00e9s a nuestras composiciones. La semana pasada constru\u00edmos una melod\u00eda que atravesaba las doce tonalidades utilizando una progresi\u00f3n de acordes que se basaba en la modulaci\u00f3n constante. En el &hellip; <a href=\"https:\/\/www.teoriamusical.es\/blog\/componer-con-modulaciones-plagales\/\">Sigue leyendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[37,15,16,77],"tags":[],"class_list":["post-396","post","type-post","status-publish","format-standard","hentry","category-acordes","category-armonia-moderna","category-lenguaje-armonico","category-teoria-musical"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Componer con Modulaciones Plagales - Teor\u00eda Musical<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.teoriamusical.es\/blog\/componer-con-modulaciones-plagales\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Componer con Modulaciones Plagales - Teor\u00eda Musical\" \/>\n<meta property=\"og:description\" content=\"La modulaci\u00f3n es un recurso arm\u00f3nico que nos ayuda a dar inter\u00e9s a nuestras composiciones. 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