{"id":244,"date":"2021-07-16T11:36:18","date_gmt":"2021-07-16T09:36:18","guid":{"rendered":"https:\/\/www.teoriamusical.es\/blog\/?p=244"},"modified":"2021-07-16T11:36:21","modified_gmt":"2021-07-16T09:36:21","slug":"armonia-cuartal","status":"publish","type":"post","link":"https:\/\/www.teoriamusical.es\/blog\/armonia-cuartal\/","title":{"rendered":"Armon\u00eda Cuartal"},"content":{"rendered":"\n<p>La armon\u00eda cuartal se apoya en la sonoridad de los acordes por cuartas y nos abre posibilidades arm\u00f3nicas, no s\u00f3lo como voicing, sino como herramienta para armonizar o rearmonizar melod\u00edas. Gente como McCoy Tyner o Chick Corea han sabido integrar este tipo de armon\u00eda en su lenguaje, con Bill Evans como influencia importante, convirti\u00e9ndolo en una sonoridad reconocible del piano jazz. En este video vemos algunos acordes b\u00e1sicos para empezar a experimentar con la armon\u00eda cuartal y, como siempre, ponemos una actividad para que compong\u00e1is algo e interioric\u00e9is la t\u00e9cnica como parte de vuestro repertorio de arreglos musicales.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Armon\u00eda Cuartal - Armon\u00eda Moderna | Countblissett\" width=\"584\" height=\"329\" src=\"https:\/\/www.youtube.com\/embed\/Rg3RwAF0JkY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>La armon\u00eda cuartal se apoya en la sonoridad de los acordes por cuartas y nos abre posibilidades arm\u00f3nicas, no s\u00f3lo como voicing, sino como herramienta para armonizar o rearmonizar melod\u00edas. Gente como McCoy Tyner o Chick Corea han sabido integrar &hellip; <a href=\"https:\/\/www.teoriamusical.es\/blog\/armonia-cuartal\/\">Sigue leyendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[37,15],"tags":[],"class_list":["post-244","post","type-post","status-publish","format-standard","hentry","category-acordes","category-armonia-moderna"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Armon\u00eda Cuartal - Teor\u00eda Musical<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.teoriamusical.es\/blog\/armonia-cuartal\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Armon\u00eda Cuartal - Teor\u00eda Musical\" \/>\n<meta property=\"og:description\" content=\"La armon\u00eda cuartal se apoya en la sonoridad de los acordes por cuartas y nos abre posibilidades arm\u00f3nicas, no s\u00f3lo como voicing, sino como herramienta para armonizar o rearmonizar melod\u00edas. Gente como McCoy Tyner o Chick Corea han sabido integrar &hellip; Sigue leyendo &rarr;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.teoriamusical.es\/blog\/armonia-cuartal\/\" \/>\n<meta property=\"og:site_name\" content=\"Teor\u00eda Musical\" \/>\n<meta property=\"article:published_time\" content=\"2021-07-16T09:36:18+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-07-16T09:36:21+00:00\" \/>\n<meta name=\"author\" content=\"teoriamusical.es\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"teoriamusical.es\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minuto\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.teoriamusical.es\/blog\/armonia-cuartal\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.teoriamusical.es\/blog\/armonia-cuartal\/\"},\"author\":{\"name\":\"teoriamusical.es\",\"@id\":\"https:\/\/www.teoriamusical.es\/blog\/#\/schema\/person\/abbe30b6f6b449ac9e19ab236fe3d80c\"},\"headline\":\"Armon\u00eda Cuartal\",\"datePublished\":\"2021-07-16T09:36:18+00:00\",\"dateModified\":\"2021-07-16T09:36:21+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.teoriamusical.es\/blog\/armonia-cuartal\/\"},\"wordCount\":118,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.teoriamusical.es\/blog\/#\/schema\/person\/abbe30b6f6b449ac9e19ab236fe3d80c\"},\"articleSection\":[\"Acordes\",\"Armon\u00eda Moderna\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.teoriamusical.es\/blog\/armonia-cuartal\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.teoriamusical.es\/blog\/armonia-cuartal\/\",\"url\":\"https:\/\/www.teoriamusical.es\/blog\/armonia-cuartal\/\",\"name\":\"Armon\u00eda Cuartal - Teor\u00eda Musical\",\"isPartOf\":{\"@id\":\"https:\/\/www.teoriamusical.es\/blog\/#website\"},\"datePublished\":\"2021-07-16T09:36:18+00:00\",\"dateModified\":\"2021-07-16T09:36:21+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.teoriamusical.es\/blog\/armonia-cuartal\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.teoriamusical.es\/blog\/armonia-cuartal\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.teoriamusical.es\/blog\/armonia-cuartal\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.teoriamusical.es\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Armon\u00eda Cuartal\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.teoriamusical.es\/blog\/#website\",\"url\":\"https:\/\/www.teoriamusical.es\/blog\/\",\"name\":\"Teor\u00eda Musical\",\"description\":\"Teor\u00eda Musical, Armon\u00eda Moderna y Cursos Online\",\"publisher\":{\"@id\":\"https:\/\/www.teoriamusical.es\/blog\/#\/schema\/person\/abbe30b6f6b449ac9e19ab236fe3d80c\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.teoriamusical.es\/blog\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"es\"},{\"@type\":[\"Person\",\"Organization\"],\"@id\":\"https:\/\/www.teoriamusical.es\/blog\/#\/schema\/person\/abbe30b6f6b449ac9e19ab236fe3d80c\",\"name\":\"teoriamusical.es\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\/\/www.teoriamusical.es\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/1d7014e5a95916f717d86ab0aceffce14fd35c12b39d368d60384afae17e1760?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/1d7014e5a95916f717d86ab0aceffce14fd35c12b39d368d60384afae17e1760?s=96&d=mm&r=g\",\"caption\":\"teoriamusical.es\"},\"logo\":{\"@id\":\"https:\/\/www.teoriamusical.es\/blog\/#\/schema\/person\/image\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Armon\u00eda Cuartal - Teor\u00eda Musical","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.teoriamusical.es\/blog\/armonia-cuartal\/","og_locale":"es_ES","og_type":"article","og_title":"Armon\u00eda Cuartal - Teor\u00eda Musical","og_description":"La armon\u00eda cuartal se apoya en la sonoridad de los acordes por cuartas y nos abre posibilidades arm\u00f3nicas, no s\u00f3lo como voicing, sino como herramienta para armonizar o rearmonizar melod\u00edas. Gente como McCoy Tyner o Chick Corea han sabido integrar &hellip; Sigue leyendo &rarr;","og_url":"https:\/\/www.teoriamusical.es\/blog\/armonia-cuartal\/","og_site_name":"Teor\u00eda Musical","article_published_time":"2021-07-16T09:36:18+00:00","article_modified_time":"2021-07-16T09:36:21+00:00","author":"teoriamusical.es","twitter_card":"summary_large_image","twitter_misc":{"Escrito por":"teoriamusical.es","Tiempo de lectura":"1 minuto"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.teoriamusical.es\/blog\/armonia-cuartal\/#article","isPartOf":{"@id":"https:\/\/www.teoriamusical.es\/blog\/armonia-cuartal\/"},"author":{"name":"teoriamusical.es","@id":"https:\/\/www.teoriamusical.es\/blog\/#\/schema\/person\/abbe30b6f6b449ac9e19ab236fe3d80c"},"headline":"Armon\u00eda Cuartal","datePublished":"2021-07-16T09:36:18+00:00","dateModified":"2021-07-16T09:36:21+00:00","mainEntityOfPage":{"@id":"https:\/\/www.teoriamusical.es\/blog\/armonia-cuartal\/"},"wordCount":118,"commentCount":0,"publisher":{"@id":"https:\/\/www.teoriamusical.es\/blog\/#\/schema\/person\/abbe30b6f6b449ac9e19ab236fe3d80c"},"articleSection":["Acordes","Armon\u00eda Moderna"],"inLanguage":"es","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.teoriamusical.es\/blog\/armonia-cuartal\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.teoriamusical.es\/blog\/armonia-cuartal\/","url":"https:\/\/www.teoriamusical.es\/blog\/armonia-cuartal\/","name":"Armon\u00eda Cuartal - Teor\u00eda Musical","isPartOf":{"@id":"https:\/\/www.teoriamusical.es\/blog\/#website"},"datePublished":"2021-07-16T09:36:18+00:00","dateModified":"2021-07-16T09:36:21+00:00","breadcrumb":{"@id":"https:\/\/www.teoriamusical.es\/blog\/armonia-cuartal\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.teoriamusical.es\/blog\/armonia-cuartal\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.teoriamusical.es\/blog\/armonia-cuartal\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.teoriamusical.es\/blog\/"},{"@type":"ListItem","position":2,"name":"Armon\u00eda Cuartal"}]},{"@type":"WebSite","@id":"https:\/\/www.teoriamusical.es\/blog\/#website","url":"https:\/\/www.teoriamusical.es\/blog\/","name":"Teor\u00eda Musical","description":"Teor\u00eda Musical, Armon\u00eda Moderna y Cursos Online","publisher":{"@id":"https:\/\/www.teoriamusical.es\/blog\/#\/schema\/person\/abbe30b6f6b449ac9e19ab236fe3d80c"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.teoriamusical.es\/blog\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"es"},{"@type":["Person","Organization"],"@id":"https:\/\/www.teoriamusical.es\/blog\/#\/schema\/person\/abbe30b6f6b449ac9e19ab236fe3d80c","name":"teoriamusical.es","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/www.teoriamusical.es\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/1d7014e5a95916f717d86ab0aceffce14fd35c12b39d368d60384afae17e1760?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/1d7014e5a95916f717d86ab0aceffce14fd35c12b39d368d60384afae17e1760?s=96&d=mm&r=g","caption":"teoriamusical.es"},"logo":{"@id":"https:\/\/www.teoriamusical.es\/blog\/#\/schema\/person\/image\/"}}]}},"jetpack_featured_media_url":"","jetpack-related-posts":[{"id":188,"url":"https:\/\/www.teoriamusical.es\/blog\/armonia-de-cine\/","url_meta":{"origin":244,"position":0},"title":"Armon\u00eda de Cine","date":"julio 7, 2021","format":false,"excerpt":"La Armonia de Cine va m\u00e1s all\u00e1 del uso de Acordes de cine, ya que el Film Scoring en s\u00ed se rige por unas \"reglas\" distintas en lo que respecta a la armon\u00eda. en las bandas sonoras, da igual que sean de John Williams, de Hans Zimmer, de James Newton\u2026","rel":"","context":"En \u00abArmon\u00eda Moderna\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/ZBMz0cLeKq4\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":288,"url":"https:\/\/www.teoriamusical.es\/blog\/acordes-de-cine\/","url_meta":{"origin":244,"position":1},"title":"Acordes de Cine","date":"julio 16, 2021","format":false,"excerpt":"Acordes de Cine es el ejercicio de la secci\u00f3n de teor\u00eda musical con el que empezamos el a\u00f1o. En esta secci\u00f3n se explica una t\u00e9cnica musical y vosotros compon\u00e9is algo us\u00e1ndola. Vamos a hablar de armon\u00eda de cine, que es la armon\u00eda habitual en el arte de componer para bandas\u2026","rel":"","context":"En \u00abArmon\u00eda Moderna\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/eLqVo5lR3ZM\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":308,"url":"https:\/\/www.teoriamusical.es\/blog\/escala-hexatonica\/","url_meta":{"origin":244,"position":2},"title":"Escala Hexat\u00f3nica","date":"julio 16, 2021","format":false,"excerpt":"John Williams y otros compositores con sonoridad sinf\u00f3nica nos han demostrado varias veces que, en armon\u00eda de cine, las escalas hexat\u00f3nicas son tan importantes y \u00fatiles como las escalas octat\u00f3nicas y las escalas septat\u00f3nicas, ya que nos permiten ampliar las conexiones entre mediantes y llegar a sonoridades t\u00edpicas del film\u2026","rel":"","context":"En \u00abArmon\u00eda Moderna\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/5NHXS9BmY6s\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":302,"url":"https:\/\/www.teoriamusical.es\/blog\/la-armonia-de-jhon-williams\/","url_meta":{"origin":244,"position":3},"title":"La Armon\u00eda de John Williams","date":"julio 16, 2021","format":false,"excerpt":"John Williams es uno de los compositores de bandas sonoras de los que m\u00e1s cosas podemos aprender. Tanto en orquestaci\u00f3n, armon\u00eda, y storytelling Williams es, sin duda, destacable. En este video vamos a ver uno de los recursos que aparecen en Star Wars, aunque tambi\u00e9n lo usan otros compositores, y\u2026","rel":"","context":"En \u00abAcordes\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/INoAryz_GKs\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":70,"url":"https:\/\/www.teoriamusical.es\/blog\/los-acordes-de-john-williams\/","url_meta":{"origin":244,"position":4},"title":"Los Acordes de John Williams","date":"diciembre 5, 2019","format":false,"excerpt":"Los acordes de john Williams, y la armon\u00eda que implican, son, junto con su dominio de la orquestaci\u00f3n y el desarrollo mel\u00f3dico, una de las claves de su calidad musical. Hasta que no transcribes alg\u00fan tema suyo al piano no te das cuenta de que muchos de los acordes de\u2026","rel":"","context":"En \u00abAcordes\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/2aneqBJyOHo\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":215,"url":"https:\/\/www.teoriamusical.es\/blog\/modo-eolico\/","url_meta":{"origin":244,"position":5},"title":"Modo E\u00f3lico","date":"julio 7, 2021","format":false,"excerpt":"\u00bfQu\u00e9 es la Armon\u00eda Modal? Esta es una de las preguntas m\u00e1s repetidas por los alumnos y suscriptores que mandan mails. En est\u00e9 video hablamos del modo e\u00f3lico, o Aeolian o, simplemente, \"el modo menor\" para los amigos. Veremos diferencias entre usarlo en un contexto de armon\u00eda tonal y de\u2026","rel":"","context":"En \u00abAn\u00e1lisis Musical\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/yd5H23uBqtk\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/posts\/244","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/comments?post=244"}],"version-history":[{"count":1,"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/posts\/244\/revisions"}],"predecessor-version":[{"id":245,"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/posts\/244\/revisions\/245"}],"wp:attachment":[{"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/media?parent=244"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/categories?post=244"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/tags?post=244"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}