{"id":239,"date":"2021-07-16T11:29:34","date_gmt":"2021-07-16T09:29:34","guid":{"rendered":"https:\/\/www.teoriamusical.es\/blog\/?p=239"},"modified":"2021-07-16T11:29:36","modified_gmt":"2021-07-16T09:29:36","slug":"rearmonizacion-con-acordes-hibridos","status":"publish","type":"post","link":"https:\/\/www.teoriamusical.es\/blog\/rearmonizacion-con-acordes-hibridos\/","title":{"rendered":"Rearmonizaci\u00f3n con Acordes H\u00edbridos"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Una t\u00e9cnica de rearmonizaci\u00f3n efectiva y m\u00e1s sencilla de lo que parece es la rearmonizaci\u00f3n con acordes h\u00edbridos. Los acordes h\u00edbridos son acordes sin relaci\u00f3n aparente con la nota del bajo. As\u00ed en realidad un D\/C puede ser un D7 con la s\u00e9ptima menor en el bajo o un C lidio con 9, #11, y 13 omitiendo la tercera, de manera que es mucho m\u00e1s c\u00f3modo de leer D\/C, siempre que recordemos que, cuando hagamos nuestra improvisaci\u00f3n, debemos tocar escala lidia. En el video de hoy veremos la teor\u00eda musical tras estos acordes y haremos una rearmonizaci\u00f3n de un tema de los Beatles.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Acordes H\u00edbridos: El siguiente nivel de Rearmonizaci\u00f3n\" width=\"584\" height=\"329\" src=\"https:\/\/www.youtube.com\/embed\/WyOpl3zoJ1c?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Una t\u00e9cnica de rearmonizaci\u00f3n efectiva y m\u00e1s sencilla de lo que parece es la rearmonizaci\u00f3n con acordes h\u00edbridos. Los acordes h\u00edbridos son acordes sin relaci\u00f3n aparente con la nota del bajo. As\u00ed en realidad un D\/C puede ser un D7 &hellip; <a href=\"https:\/\/www.teoriamusical.es\/blog\/rearmonizacion-con-acordes-hibridos\/\">Sigue leyendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[37,15],"tags":[],"class_list":["post-239","post","type-post","status-publish","format-standard","hentry","category-acordes","category-armonia-moderna"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Rearmonizaci\u00f3n con Acordes H\u00edbridos - Teor\u00eda Musical<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.teoriamusical.es\/blog\/rearmonizacion-con-acordes-hibridos\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rearmonizaci\u00f3n con Acordes H\u00edbridos - Teor\u00eda Musical\" \/>\n<meta property=\"og:description\" content=\"Una t\u00e9cnica de rearmonizaci\u00f3n efectiva y m\u00e1s sencilla de lo que parece es la rearmonizaci\u00f3n con acordes h\u00edbridos. Los acordes h\u00edbridos son acordes sin relaci\u00f3n aparente con la nota del bajo. 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