{"id":235,"date":"2021-07-13T10:19:54","date_gmt":"2021-07-13T08:19:54","guid":{"rendered":"https:\/\/www.teoriamusical.es\/blog\/?p=235"},"modified":"2021-07-13T10:19:56","modified_gmt":"2021-07-13T08:19:56","slug":"dominantes-resoluciones-alternativas","status":"publish","type":"post","link":"https:\/\/www.teoriamusical.es\/blog\/dominantes-resoluciones-alternativas\/","title":{"rendered":"Dominantes: Resoluciones alternativas"},"content":{"rendered":"\n<p>Los acordes dominantes son como el motor de la m\u00fasica; empujan las progresiones de acordes y a\u00f1aden tensi\u00f3n con la resoluci\u00f3n, o no resoluci\u00f3n, de los dominantes y sus tensiones. Tenemos acordes dominantes secundarios, acordes dominantes sustitutos, dominantes extendidos y, por supuesto, diferentes escalas sobre acordes dominantes. En el canal hemos hablado de varias de estas escalas, adem\u00e1s de la mixolidia; escala alterada, lydian b7, half step\/whole step, mixolidian b6, etc.<\/p>\n\n\n\n<p>En el video de hoy vamos a hablar sobre resoluciones alternativas de dominante, ya que no s\u00f3lo pueden resolver cuarta arriba o quinta abajo (medio tono en caso de los subv7) sino que nos dan m\u00e1s juego.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Acordes Dominantes - Resoluciones Alternativas | Countblissett\" width=\"584\" height=\"329\" src=\"https:\/\/www.youtube.com\/embed\/iQD_0jFWhp4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Los acordes dominantes son como el motor de la m\u00fasica; empujan las progresiones de acordes y a\u00f1aden tensi\u00f3n con la resoluci\u00f3n, o no resoluci\u00f3n, de los dominantes y sus tensiones. Tenemos acordes dominantes secundarios, acordes dominantes sustitutos, dominantes extendidos y, &hellip; <a href=\"https:\/\/www.teoriamusical.es\/blog\/dominantes-resoluciones-alternativas\/\">Sigue leyendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[37,15],"tags":[],"class_list":["post-235","post","type-post","status-publish","format-standard","hentry","category-acordes","category-armonia-moderna"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Dominantes: Resoluciones alternativas - Teor\u00eda Musical<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.teoriamusical.es\/blog\/dominantes-resoluciones-alternativas\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dominantes: Resoluciones alternativas - Teor\u00eda Musical\" \/>\n<meta property=\"og:description\" content=\"Los acordes dominantes son como el motor de la m\u00fasica; empujan las progresiones de acordes y a\u00f1aden tensi\u00f3n con la resoluci\u00f3n, o no resoluci\u00f3n, de los dominantes y sus tensiones. 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Sin embargo, al margen de todas las sustituciones y elecciones de modo que tenemos a nuestra disposici\u00f3n, tambi\u00e9n los clasificamos seg\u00fan lo que\u2026","rel":"","context":"En \u00abAcordes\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/lGoU8p7_gjw\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":90,"url":"https:\/\/www.teoriamusical.es\/blog\/acordes-disminuidos\/","url_meta":{"origin":235,"position":2},"title":"Acordes Disminuidos, \u00bfSab\u00edas esto sobre ellos?","date":"diciembre 6, 2019","format":false,"excerpt":"Los Acordes disminuidos est\u00e1n entre mis acordes din\u00e1micos preferidos y tienen su propio cap\u00edtulo dedicado en mi curso de armon\u00eda moderna. Los hemos escuchado en m\u00fasica cl\u00e1sica, en jazz, en pop y tienen un sonido muy particular y cosas muy interesantes. Sin embargo su uso en la radiof\u00f3rmula es ocasional\u2026","rel":"","context":"En \u00abAcordes\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/kJWGhN4Qpi4\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":252,"url":"https:\/\/www.teoriamusical.es\/blog\/progresiones-de-acordes-sin-usar-dominantes\/","url_meta":{"origin":235,"position":3},"title":"\u00bfProgresiones de acordes sin usar dominantes?","date":"julio 16, 2021","format":false,"excerpt":"Creamos y usamos progresiones de acordes continuamente. Tenemos acordes de reposo, o acordes de t\u00f3nica, tenemos acordes que se mueven hacia alguna parte, o acordes subdominantes, y tenemos acordes dominantes, que tienen una imperiosa necesidad de resolver. La m\u00fasica occidental se construye sobre esta relaci\u00f3n t\u00f3nica, subdominante, dominante pero... \u00bfqu\u00e9\u2026","rel":"","context":"En \u00abAcordes\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/-j-CsM27WQQ\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":101,"url":"https:\/\/www.teoriamusical.es\/blog\/dominantes-sustitutos\/","url_meta":{"origin":235,"position":4},"title":"Dominantes Sustitutos; Qu\u00e9 Son y C\u00f3mo Funcionan.","date":"diciembre 8, 2019","format":false,"excerpt":"Los dominantes sustitutos son un recurso habitual en jazz, en pop y en pr\u00e1cticamente cualquier estilo de m\u00fasica. Sin embargo, muchas veces nos limitamos a la forma, el voicing concreto arpegiado, sin tener demasiado claro qu\u00e9 modo tenemos debajo y qu\u00e9 sustituciones permite. Tras muchos a\u00f1os como educador musical, he\u2026","rel":"","context":"En \u00abAcordes\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/WA6XbEzJb3Q\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":143,"url":"https:\/\/www.teoriamusical.es\/blog\/mixolidio\/","url_meta":{"origin":235,"position":5},"title":"Mixolidio &#8211; Varios Modos Mixolidios","date":"enero 1, 2020","format":false,"excerpt":"Mixolidio es el modo que encontramos en el quinto grado de una escala J\u00f3nica. Sin embargo existe m\u00e1s de un modo mixolodio que provienen de distintas escalas fuente y, adem\u00e1s de servir para usarse sobre un acorde con funci\u00f3n dominante, se puede usar como modo fuente para canciones modales. 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