{"id":169,"date":"2020-02-28T12:10:08","date_gmt":"2020-02-28T11:10:08","guid":{"rendered":"https:\/\/www.teoriamusical.es\/blog\/?p=169"},"modified":"2020-02-28T12:10:09","modified_gmt":"2020-02-28T11:10:09","slug":"acordes-menores","status":"publish","type":"post","link":"https:\/\/www.teoriamusical.es\/blog\/acordes-menores\/","title":{"rendered":"\u00bfLos Acordes Menores Son Tristes?"},"content":{"rendered":"\n<p> \u00bfEs verdad que los modos producen emociones? \u00bfque los acordes mayores  son alegres y los acordes menores son tristes?<\/p>\n\n\n\n<p>No exactamente, ni los acordes menores son tristes ni los mayores son alegres y en este video te cuento por qu\u00e9.<\/p>\n\n\n\n<p>Hay muchos modos adem\u00e1s de los 7 modos griegos que probablemente conoces  (j\u00f3nico, d\u00f3rico, lidio, mixolidio, e\u00f3lico y locrio) tenemos todos los  modos de la escala menor mel\u00f3dica y todos los de la escala menor  arm\u00f3nica, (d\u00f3rico b2, lidio aumentado, mixolidio b13, Locrio 9,  superlocrio, locrio 13, j\u00f3nico aumentado, lidio menor, frigio dominante,  lidio #2, disminuida alterada, etc)<\/p>\n\n\n\n<p>Cada uno de estos modos puede transmitir una emoci\u00f3n pero no es que  tengan una emoci\u00f3n asociada, sino que es algo m\u00e1s relacionado con el uso y adem\u00e1s ese uso var\u00eda incluso de una zona a otra del mundo, de ah\u00ed que  sea interesante dedicar unos minutos a esta parte de la teor\u00eda musical  que a veces est\u00e1 un poco m\u00e1s abandonada y de la que es genial hablar.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"\u00bfModos y Emociones? \u00bfAcordes Menores Tristes?\" width=\"584\" height=\"329\" src=\"https:\/\/www.youtube.com\/embed\/q-WlT03xHWk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>\u00bfTe interesa la armon\u00eda moderna, los voicings y el desarrollo mel\u00f3dico? Echa un vistazo a mis <a href=\"https:\/\/www.teoriamusical.es\/blog\/cursos-de-musica\/\">cursos de m\u00fasica online<\/a> y al contenido gratuito de <a href=\"http:\/\/www.youtube.com\/countblissett\">mi canal de Youtube<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00bfEs verdad que los modos producen emociones? \u00bfque los acordes mayores son alegres y los acordes menores son tristes? No exactamente, ni los acordes menores son tristes ni los mayores son alegres y en este video te cuento por qu\u00e9. &hellip; <a href=\"https:\/\/www.teoriamusical.es\/blog\/acordes-menores\/\">Sigue leyendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[15,27,16],"tags":[],"class_list":["post-169","post","type-post","status-publish","format-standard","hentry","category-armonia-moderna","category-creatividad","category-lenguaje-armonico"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u00bfLos Acordes Menores Son Tristes? - Teor\u00eda Musical<\/title>\n<meta name=\"description\" content=\"los acordes menores son tristes, los acordes mayores son alegres. 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Por supuesto la composici\u00f3n modal moderna no es algo exclusivo del Jazz; en el pop\/rock encontramos multitud de temas modales, desde el luminoso Man on The\u2026","rel":"","context":"En \u00abAcordes\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/tTAvhm1zGZ8\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":124,"url":"https:\/\/www.teoriamusical.es\/blog\/modo-lidio\/","url_meta":{"origin":169,"position":2},"title":"\u00bfModo Lidio o Modos Lidios? Aprende a usarlos todos.","date":"diciembre 14, 2019","format":false,"excerpt":"\u00bfModo Lidio o Modos Lidios? \u00bfDe d\u00f3nde sale ese plural? En el post anterior ve\u00edamos que hab\u00eda m\u00e1s de 7 modos musicales, de hecho nos centramos en 21 y en esos 21 hab\u00eda modos lidios. 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Y no va\u2026","rel":"","context":"En \u00abAcordes\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/aXA85ILVWUE\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":320,"url":"https:\/\/www.teoriamusical.es\/blog\/dominante-frigio\/","url_meta":{"origin":169,"position":5},"title":"Dominante Frigio: Mixolidio (b9, b13)","date":"julio 16, 2021","format":false,"excerpt":"El modo frigio dominante, conocido tambi\u00e9n como escala frigia dominante, mixolidia (b9 b13), frigio mayor, quinto modo de la escala menor arm\u00f3nica, o cualquier otra etiqueta, es uno de esos modos con multitud de nombres pero una sonoridad espectacular que debemos conocer tanto en contextos modales como en contextos tonales\u2026","rel":"","context":"En \u00abAcordes\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/-EZQuNUAuFs\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/posts\/169","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/comments?post=169"}],"version-history":[{"count":1,"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/posts\/169\/revisions"}],"predecessor-version":[{"id":171,"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/posts\/169\/revisions\/171"}],"wp:attachment":[{"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/media?parent=169"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/categories?post=169"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/tags?post=169"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}