{"id":106,"date":"2019-12-08T08:19:45","date_gmt":"2019-12-08T07:19:45","guid":{"rendered":"https:\/\/www.teoriamusical.es\/blog\/?p=106"},"modified":"2019-12-08T08:19:45","modified_gmt":"2019-12-08T07:19:45","slug":"acorde-dominante","status":"publish","type":"post","link":"https:\/\/www.teoriamusical.es\/blog\/acorde-dominante\/","title":{"rendered":"Acorde Dominante: Qu\u00e9 tipos hay"},"content":{"rendered":"\n<p>El acorde dominante nos da mucha libertad y es quiz\u00e1, dentro de la armon\u00eda tonal, el tipo de acorde donde m\u00e1s imaginativos somos cuando empezamos a componer.<\/p>\n\n\n\n<p>Sin embargo, al margen de todas las sustituciones y elecciones de modo que tenemos a nuestra disposici\u00f3n, tambi\u00e9n los clasificamos seg\u00fan lo que est\u00e1n haciendo.<\/p>\n\n\n\n<p>Como siempre digo: Los acordes no son lo que son; los acordes son lo que hacen.<\/p>\n\n\n\n<p>A ra\u00edz de un video donde explicaba un poco los <a href=\"https:\/\/www.teoriamusical.es\/blog\/dominantes-sustitutos\/\">dominantes sustitutos<\/a>, me preguntaron si \u00e9stos eran lo mismo que los dominantes extendidos o los dominantes secundarios.<\/p>\n\n\n\n<p>Es f\u00e1cil confundirse, especialmente si eres autodidacta, pero diferenciarlos es bastante m\u00e1s sencillo de lo que puede parecer a primera vista, as\u00ed que dediqu\u00e9 este video de abajo al acorde dominante y sus tipos de funci\u00f3n; extendida, secundaria o sustituta.<\/p>\n\n\n\n<p>Alguna gente confunde el dominante secundario con el dominante sustituto porque la palabra \u00absecundario\u00bb les hace pensar que si el \u00abprincipal\u00bb es el V7 el \u00absecundario\u00bb ser\u00e1 el que usamos para sustituirlo, es decir, el SubV7.<\/p>\n\n\n\n<p>Esto no es as\u00ed; el dominante secundario es aquel que resuelve sobre cualquier otro grado diat\u00f3nico a la tonalidad en la que estamos y que tiene como ra\u00edz una nota tambi\u00e9n diat\u00f3nica a esa misma tonalidad.<\/p>\n\n\n\n<p>No todos los dominantes secundarios utilizan la misma escala. Esto lo expliqu\u00e9 con todo lujo de detalles en mi <a href=\"https:\/\/www.teoriamusical.es\/blog\/cursos-de-musica\/\">Curso de Armon\u00eda Moderna<\/a>.<\/p>\n\n\n\n<p>Otra confusi\u00f3n com\u00fan es pensar que un dominante extendido es un dominante al que a\u00f1adimos tensiones. Esta confusi\u00f3n viene de dos cosas:<\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>De llamar a las tensiones extensiones (cosa que odio).<\/li><li>De llamar a la armon\u00eda completa (la que usa chord tones y tensiones) armon\u00eda extendida.<\/li><\/ol>\n\n\n\n<p>Un dominante extendido es un dominante que resuelve sobre otro dominante que resuelve sobre otro dominante, etc, etc. Forma parte de una cadena de dominantes.<\/p>\n\n\n\n<p>Aqu\u00ed ten\u00e9is el video con la explicaci\u00f3n.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"An\u00e1lisis Musical: Dominantes Secundarios, Extendidos y Sustitutos\" width=\"584\" height=\"329\" src=\"https:\/\/www.youtube.com\/embed\/lGoU8p7_gjw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Si te interesa la armon\u00eda moderna, los voicings y el desarrollo mel\u00f3dico \u00e9chale un vistazo a mis <a href=\"https:\/\/www.teoriamusical.es\/blog\/cursos-de-musica\/\">cursos online de m\u00fasica moderna<\/a>.<\/p>\n\n\n\n<p>Si quieres m\u00e1s contenido gratuito, echa un vistazo a mi <a href=\"http:\/\/www.youtube.com\/countblissett\">canal de Youtube<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>El acorde dominante nos da mucha libertad y es quiz\u00e1, dentro de la armon\u00eda tonal, el tipo de acorde donde m\u00e1s imaginativos somos cuando empezamos a componer. Sin embargo, al margen de todas las sustituciones y elecciones de modo que &hellip; <a href=\"https:\/\/www.teoriamusical.es\/blog\/acorde-dominante\/\">Sigue leyendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[37,15,16],"tags":[50,56,55,51],"class_list":["post-106","post","type-post","status-publish","format-standard","hentry","category-acordes","category-armonia-moderna","category-lenguaje-armonico","tag-dominantes","tag-dominantes-extendidos","tag-dominantes-secundarios","tag-dominantes-sustitutos"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Acorde Dominante: Qu\u00e9 tipos hay - Teor\u00eda Musical<\/title>\n<meta name=\"description\" content=\"Cu\u00e1les son los tipos de acorde dominante, para qu\u00e9 sirven, d\u00f3nde se usan y para qu\u00e9 sirven. Aqu\u00ed tienes lo b\u00e1sico para no confundirlos entre ellos.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.teoriamusical.es\/blog\/acorde-dominante\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Acorde Dominante: Qu\u00e9 tipos hay - Teor\u00eda Musical\" \/>\n<meta property=\"og:description\" content=\"Cu\u00e1les son los tipos de acorde dominante, para qu\u00e9 sirven, d\u00f3nde se usan y para qu\u00e9 sirven. Aqu\u00ed tienes lo b\u00e1sico para no confundirlos entre ellos.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.teoriamusical.es\/blog\/acorde-dominante\/\" \/>\n<meta property=\"og:site_name\" content=\"Teor\u00eda Musical\" \/>\n<meta property=\"article:published_time\" content=\"2019-12-08T07:19:45+00:00\" \/>\n<meta name=\"author\" content=\"teoriamusical.es\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"teoriamusical.es\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.teoriamusical.es\/blog\/acorde-dominante\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.teoriamusical.es\/blog\/acorde-dominante\/\"},\"author\":{\"name\":\"teoriamusical.es\",\"@id\":\"https:\/\/www.teoriamusical.es\/blog\/#\/schema\/person\/abbe30b6f6b449ac9e19ab236fe3d80c\"},\"headline\":\"Acorde Dominante: Qu\u00e9 tipos hay\",\"datePublished\":\"2019-12-08T07:19:45+00:00\",\"dateModified\":\"2019-12-08T07:19:45+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.teoriamusical.es\/blog\/acorde-dominante\/\"},\"wordCount\":381,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.teoriamusical.es\/blog\/#\/schema\/person\/abbe30b6f6b449ac9e19ab236fe3d80c\"},\"keywords\":[\"dominantes\",\"dominantes extendidos\",\"dominantes secundarios\",\"dominantes sustitutos\"],\"articleSection\":[\"Acordes\",\"Armon\u00eda Moderna\",\"Lenguaje Arm\u00f3nico\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.teoriamusical.es\/blog\/acorde-dominante\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.teoriamusical.es\/blog\/acorde-dominante\/\",\"url\":\"https:\/\/www.teoriamusical.es\/blog\/acorde-dominante\/\",\"name\":\"Acorde Dominante: Qu\u00e9 tipos hay - Teor\u00eda Musical\",\"isPartOf\":{\"@id\":\"https:\/\/www.teoriamusical.es\/blog\/#website\"},\"datePublished\":\"2019-12-08T07:19:45+00:00\",\"dateModified\":\"2019-12-08T07:19:45+00:00\",\"description\":\"Cu\u00e1les son los tipos de acorde dominante, para qu\u00e9 sirven, d\u00f3nde se usan y para qu\u00e9 sirven. Aqu\u00ed tienes lo b\u00e1sico para no confundirlos entre ellos.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.teoriamusical.es\/blog\/acorde-dominante\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.teoriamusical.es\/blog\/acorde-dominante\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.teoriamusical.es\/blog\/acorde-dominante\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.teoriamusical.es\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Acorde Dominante: Qu\u00e9 tipos hay\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.teoriamusical.es\/blog\/#website\",\"url\":\"https:\/\/www.teoriamusical.es\/blog\/\",\"name\":\"Teor\u00eda Musical\",\"description\":\"Teor\u00eda Musical, Armon\u00eda Moderna y Cursos Online\",\"publisher\":{\"@id\":\"https:\/\/www.teoriamusical.es\/blog\/#\/schema\/person\/abbe30b6f6b449ac9e19ab236fe3d80c\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.teoriamusical.es\/blog\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"es\"},{\"@type\":[\"Person\",\"Organization\"],\"@id\":\"https:\/\/www.teoriamusical.es\/blog\/#\/schema\/person\/abbe30b6f6b449ac9e19ab236fe3d80c\",\"name\":\"teoriamusical.es\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\/\/www.teoriamusical.es\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/1d7014e5a95916f717d86ab0aceffce14fd35c12b39d368d60384afae17e1760?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/1d7014e5a95916f717d86ab0aceffce14fd35c12b39d368d60384afae17e1760?s=96&d=mm&r=g\",\"caption\":\"teoriamusical.es\"},\"logo\":{\"@id\":\"https:\/\/www.teoriamusical.es\/blog\/#\/schema\/person\/image\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Acorde Dominante: Qu\u00e9 tipos hay - Teor\u00eda Musical","description":"Cu\u00e1les son los tipos de acorde dominante, para qu\u00e9 sirven, d\u00f3nde se usan y para qu\u00e9 sirven. Aqu\u00ed tienes lo b\u00e1sico para no confundirlos entre ellos.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.teoriamusical.es\/blog\/acorde-dominante\/","og_locale":"es_ES","og_type":"article","og_title":"Acorde Dominante: Qu\u00e9 tipos hay - Teor\u00eda Musical","og_description":"Cu\u00e1les son los tipos de acorde dominante, para qu\u00e9 sirven, d\u00f3nde se usan y para qu\u00e9 sirven. Aqu\u00ed tienes lo b\u00e1sico para no confundirlos entre ellos.","og_url":"https:\/\/www.teoriamusical.es\/blog\/acorde-dominante\/","og_site_name":"Teor\u00eda Musical","article_published_time":"2019-12-08T07:19:45+00:00","author":"teoriamusical.es","twitter_card":"summary_large_image","twitter_misc":{"Escrito por":"teoriamusical.es","Tiempo de lectura":"2 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.teoriamusical.es\/blog\/acorde-dominante\/#article","isPartOf":{"@id":"https:\/\/www.teoriamusical.es\/blog\/acorde-dominante\/"},"author":{"name":"teoriamusical.es","@id":"https:\/\/www.teoriamusical.es\/blog\/#\/schema\/person\/abbe30b6f6b449ac9e19ab236fe3d80c"},"headline":"Acorde Dominante: Qu\u00e9 tipos hay","datePublished":"2019-12-08T07:19:45+00:00","dateModified":"2019-12-08T07:19:45+00:00","mainEntityOfPage":{"@id":"https:\/\/www.teoriamusical.es\/blog\/acorde-dominante\/"},"wordCount":381,"commentCount":0,"publisher":{"@id":"https:\/\/www.teoriamusical.es\/blog\/#\/schema\/person\/abbe30b6f6b449ac9e19ab236fe3d80c"},"keywords":["dominantes","dominantes extendidos","dominantes secundarios","dominantes sustitutos"],"articleSection":["Acordes","Armon\u00eda Moderna","Lenguaje Arm\u00f3nico"],"inLanguage":"es","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.teoriamusical.es\/blog\/acorde-dominante\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.teoriamusical.es\/blog\/acorde-dominante\/","url":"https:\/\/www.teoriamusical.es\/blog\/acorde-dominante\/","name":"Acorde Dominante: Qu\u00e9 tipos hay - Teor\u00eda Musical","isPartOf":{"@id":"https:\/\/www.teoriamusical.es\/blog\/#website"},"datePublished":"2019-12-08T07:19:45+00:00","dateModified":"2019-12-08T07:19:45+00:00","description":"Cu\u00e1les son los tipos de acorde dominante, para qu\u00e9 sirven, d\u00f3nde se usan y para qu\u00e9 sirven. Aqu\u00ed tienes lo b\u00e1sico para no confundirlos entre ellos.","breadcrumb":{"@id":"https:\/\/www.teoriamusical.es\/blog\/acorde-dominante\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.teoriamusical.es\/blog\/acorde-dominante\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.teoriamusical.es\/blog\/acorde-dominante\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.teoriamusical.es\/blog\/"},{"@type":"ListItem","position":2,"name":"Acorde Dominante: Qu\u00e9 tipos hay"}]},{"@type":"WebSite","@id":"https:\/\/www.teoriamusical.es\/blog\/#website","url":"https:\/\/www.teoriamusical.es\/blog\/","name":"Teor\u00eda Musical","description":"Teor\u00eda Musical, Armon\u00eda Moderna y Cursos Online","publisher":{"@id":"https:\/\/www.teoriamusical.es\/blog\/#\/schema\/person\/abbe30b6f6b449ac9e19ab236fe3d80c"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.teoriamusical.es\/blog\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"es"},{"@type":["Person","Organization"],"@id":"https:\/\/www.teoriamusical.es\/blog\/#\/schema\/person\/abbe30b6f6b449ac9e19ab236fe3d80c","name":"teoriamusical.es","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/www.teoriamusical.es\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/1d7014e5a95916f717d86ab0aceffce14fd35c12b39d368d60384afae17e1760?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/1d7014e5a95916f717d86ab0aceffce14fd35c12b39d368d60384afae17e1760?s=96&d=mm&r=g","caption":"teoriamusical.es"},"logo":{"@id":"https:\/\/www.teoriamusical.es\/blog\/#\/schema\/person\/image\/"}}]}},"jetpack_featured_media_url":"","jetpack-related-posts":[{"id":235,"url":"https:\/\/www.teoriamusical.es\/blog\/dominantes-resoluciones-alternativas\/","url_meta":{"origin":106,"position":0},"title":"Dominantes: Resoluciones alternativas","date":"julio 13, 2021","format":false,"excerpt":"Los acordes dominantes son como el motor de la m\u00fasica; empujan las progresiones de acordes y a\u00f1aden tensi\u00f3n con la resoluci\u00f3n, o no resoluci\u00f3n, de los dominantes y sus tensiones. Tenemos acordes dominantes secundarios, acordes dominantes sustitutos, dominantes extendidos y, por supuesto, diferentes escalas sobre acordes dominantes. En el canal\u2026","rel":"","context":"En \u00abAcordes\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/iQD_0jFWhp4\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":282,"url":"https:\/\/www.teoriamusical.es\/blog\/dominantes-extendidos\/","url_meta":{"origin":106,"position":1},"title":"Dominantes Extendidos","date":"julio 16, 2021","format":false,"excerpt":"Los dominantes extendidos suelen crear confusi\u00f3n; alguna gente los confunde con dominantes secundarios y, en menor medida, con dominantes sustitutos. Todos estos acordes de dominante y sus correctas relaciones escala\/acorde est\u00e1n cubiertas en mi masterclass de armon\u00eda moderna, pero para los suscriptores del canal que no est\u00e1n en mis cursos,\u2026","rel":"","context":"En \u00abAcordes\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/mD2nn_wVJqY\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":101,"url":"https:\/\/www.teoriamusical.es\/blog\/dominantes-sustitutos\/","url_meta":{"origin":106,"position":2},"title":"Dominantes Sustitutos; Qu\u00e9 Son y C\u00f3mo Funcionan.","date":"diciembre 8, 2019","format":false,"excerpt":"Los dominantes sustitutos son un recurso habitual en jazz, en pop y en pr\u00e1cticamente cualquier estilo de m\u00fasica. Sin embargo, muchas veces nos limitamos a la forma, el voicing concreto arpegiado, sin tener demasiado claro qu\u00e9 modo tenemos debajo y qu\u00e9 sustituciones permite. Tras muchos a\u00f1os como educador musical, he\u2026","rel":"","context":"En \u00abAcordes\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/WA6XbEzJb3Q\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":147,"url":"https:\/\/www.teoriamusical.es\/blog\/dominantes-sustitutos-2\/","url_meta":{"origin":106,"position":3},"title":"Dominantes Sustitutos y Dominantes Alterados; \u00bfQu\u00e9 Relaci\u00f3n Tienen?","date":"febrero 28, 2020","format":false,"excerpt":"Hoy vamos a hablar de la relaci\u00f3n entre los dominantes sustitutos y los dominantes alterados porque en el video de ayer os habl\u00e9 de la escala alterada y el dominante alterado que la usa, uno de mis tipos de acorde dominante preferido y, sin duda, una de los modos del\u2026","rel":"","context":"En \u00abCursos de M\u00fasica\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/pWCT20HEWy4\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":252,"url":"https:\/\/www.teoriamusical.es\/blog\/progresiones-de-acordes-sin-usar-dominantes\/","url_meta":{"origin":106,"position":4},"title":"\u00bfProgresiones de acordes sin usar dominantes?","date":"julio 16, 2021","format":false,"excerpt":"Creamos y usamos progresiones de acordes continuamente. Tenemos acordes de reposo, o acordes de t\u00f3nica, tenemos acordes que se mueven hacia alguna parte, o acordes subdominantes, y tenemos acordes dominantes, que tienen una imperiosa necesidad de resolver. La m\u00fasica occidental se construye sobre esta relaci\u00f3n t\u00f3nica, subdominante, dominante pero... \u00bfqu\u00e9\u2026","rel":"","context":"En \u00abAcordes\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/-j-CsM27WQQ\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":166,"url":"https:\/\/www.teoriamusical.es\/blog\/la-escala-cromatica\/","url_meta":{"origin":106,"position":5},"title":"La Escala Crom\u00e1tica como Mapa de Acordes.","date":"febrero 28, 2020","format":false,"excerpt":"La escala crom\u00e1tica, adem\u00e1s de ser importante en el jazz y en las m\u00fasicas urbanas, es una gu\u00eda \u00fatil para localizar varios tipos de acorde con un s\u00f3lo golpe de vista: Acordes Disminuidos como acordes de paso, dominantes secundarios y acordes sustitutos o SubV7. En este video echamos un vistazo\u2026","rel":"","context":"En \u00abArmon\u00eda Moderna\u00bb","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/avGFI6gZbb0\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/posts\/106","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/comments?post=106"}],"version-history":[{"count":1,"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/posts\/106\/revisions"}],"predecessor-version":[{"id":108,"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/posts\/106\/revisions\/108"}],"wp:attachment":[{"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/media?parent=106"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/categories?post=106"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.teoriamusical.es\/blog\/wp-json\/wp\/v2\/tags?post=106"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}